Monday, September 15, 2008

Tuesday, September 9, 2008

Stan and Dan: artistic Muses?


Well, well, well, 6x1 is in full swing. How exciting it is to create a film using your hands, scratching and inking and animating; actually manipulating the film strip to create a moving image. Everything we have learned thus far we will have to incorporate into our elements project. I am of course looking forward to seeing mine and Robert’s final project but I think I am more excited to see what the other groups films will look like.

I think there is something to be said about experimental filmmaking, and what we are learning in this class. I think Andre and some of the other filmmakers we have studied really embrace the idea of artistic expression and freedom. Often I find that some artists (painters, writers, actors, filmmakers) tend to be a little elitist about their craft. They give off the vibe that only a certain few can create art. I completely disagree. I think anyone and everyone is capable of creating art as long as they check their inhibitions at the door and just create.

Of the techniques we have learned so far, I think I like inking the best. I really enjoy the vividness and brightness of the colors as well as the variations of inking (using India ink, mixing oils, etc.) Magazine transfers are pretty fun as well, though I’m not sure I have mastered that technique yet. Rayograms are kind of over my head, but I thought turning our lecture room into a makeshift darkroom and then developing the film was pretty sweet. However, the rubber gloves were too small for my hands so I was forced to reach my bare hands in the chemicals. I have had no adverse side effects from this, except that my hands smelled awful…oh yeah and that twitching in my left eye that won’t seem to go away (just kidding).

Last week I invited my partner Robert over to do some of the frame animation on our project. Tedious, tedious, tedious. Wow, it took quite a bit of time to animate only a few seconds worth of film. Though, it takes a long time to animate with the sharpie, I think when I see our animation projected, the pay-off will be big.

All of this typing and writing about film manipulation makes me want to end this blog and just start inking some clear leader. It is always good for my filmmaking process, to draw some inspiration and motivation from other great artists. So I think before I start working on my elements project I will think of two people: legendary experimental filmmaker Stan Brackage and actor/producer Danny Glover. While Stan has propelled the avant-garde film movement, Danny is one of the finest character actors of this or any generation. Playing such characters as Roger Murtaugh in the Lethal Weapon series and Gus Green in the acclaimed 1997 classic Gone Fishin,’ it is easy to see why Glover would be the only sutable muse for my art.

and a special thanks goes out to blogger.com

Sorry about the vlog, blogger.com must not be equipped to handle my video uploads. It took about 30 minutes to upload this rather short video, and the audio and video are COMPLETELY out of sync. Maybe I can figure out some other way of posting vlogs.

I said 'hot damn Stan!'

Monday, August 25, 2008

Scratch Film Junkies

To me it is often difficult to write about experimental/avant garde films, especially when only given one viewing. Scratch Film Junkies was no exception. For me, when I watch films like this one there comes a point when I stop trying to process all of the techniques and tools that were used by the filmmakers; I stop thinking "how did they do that?", and I start merely enjoying the ride and just watching the film. So bearing that in mind, my first reaction to the short was the fantastic mix of colors. As usual the purples, blues, reds, and yellows flashing in rapid succession created a visual spectacle. This reminded me of a special I watched on the humble beginnings of experimental rock music in the 60s and 70s. Scratch Film Junkies seems to me like some strange experimental film that Pink Floyd, Peter Gabriel, or the Velvet Underground would have screened before or during one of their shows.
All of the nicks and scratches dancing and flashing around the screen were almost rhythmic as they sort of mimiced the percussion soundtrack. This "dancing" of the images, coupled with the vibrant colors I spoke of earlier create a somewhat "psychedelic" effect. However, I use this adjective loosely. I am pretty hesitant to even use the term because I feel that for some people that word has a negative connotation. For most, the word conjures up images of hippies and free-thinkers sitting around in a smoke circle or tripping on acid. And while that may not be far from the truth for certain situations (i.e. Velvet, Pink Floyd, etc.) I seriously doubt that drugs were the primary motivation for this short film. However, this pseudo-psychedelic effect remains the same.
Another aspect of the film that I found particularly interesting was the blending of live footage with experimental footage. I wonder what the motivation was for picking one clip over another. When it comes to experimental films though, I think some questions are best left unanswered and left to the interpretive mind of the viewer.